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Cameroon: Music Piracy is Big Business Print E-mail
Written by African Hip Hop Task Force   
Wednesday, 08 October 2008

Eric Ofeh

Music pirating is so entrenched in Cameroon that it is unlikely to ever be eradicated.

In fact, pirating is so prevalent in the country that legitimate stores and hawkers sell openly pirated CDs.

The CDs come shrink-wrapped, complete with slick pictures of artists "burnt" on them and cost as little as FCFA 500. Yet, despite the incredibly low price and packaging, the CD is most likely a pirated copy. The pirates are so good, hardly anyone can tell the difference.

Every musician in Cameroon gets almost no income from CD sales, even though thousands of their CDs might be sold. Because, as soon as a CD is made, the pirates pick it, copy it and are on the street, offering them for less than a fraction of the retail price. The legitimate CDs all but vanish.

The pirated CD hawkers say they make enormous gains since the authentic CDs are very expensive, sometimes costing as much as FCFA 3000. Having procured a pirated CD for FCFA 250 and selling it at FCFA 500, a hawker, therefore, nets 100 percent profit.

One other dealer said he can buy CDs for FCFA 40,000 and sell them in less than a week.

Dealers in pirated CDs say they source the counterfeit from Douala Central Market, Baffoussam and some people who own computers.

Nonetheless, it is not all raking in the profits. A dealer based in Buea said "even though we have these benefits, we also encounter a lot of problems with the police and the Cameroon music society, which often seize the CDs, especially those composed by Cameroonians."

Sometimes, some of the pirated CDs do not play well which is a big problem between the pirates and their customers.The dealer added that they always try to dodge the police and the Cameroon music society. But whenever they are caught, they have to cough up as much as FCFA 60,000 and the CDs are destroyed.

At times though, said the dealer, they bribe the police or Cameroon music society; so they avoid going to jail and having the CDs destroyed or just confiscated.Consumers of pirated music and movie CDs have come to believe that dubbing and selling someone else's music are totally acceptable.

That is quite nice for consumers, really bad for record companies and retailers but terrible for artists.Most of the consumers say that things are hard and they cannot afford to buy a CD at FCFA 3000 when they can pick one cheaply, for a mere FCFA 500. But some people think that since the pirates deprive artists of well-deserved incomes, they should be severely punished.

Others said the police and the Cameroon music society should be held responsible because they receive money from the pirates and encourage them to go on with the illicit practice.

The copyright pirates don't stop at CDs only. They do books, too.When The Post accosted the police to comment on the piracy of copyrights generally, a policeman attached to the Mobile Intervention Unit, GMI, Roger Mefiri, said they caught a suspect in Mutengene with a carton of pirated exercise books and some primary text books.

Mefiri said the books most probably came from Nigeria although the suspect claimed that they came from Douala.The police officer said the pirates copy letter heads to print on papers which look like the originals.

He said they are trying to establish how the pirates come into possession of the letter heads; whether it is with the connivance of the book companies or the pirates fabricate the letter heads themselves.

The Post also spoke to the Registrar of the Buea High Court, Grace Kwalar, who said they have never handled any case of piracy in Buea.She said she believed that most of such cases are solved at the level of the police.

 
William Baldé reggaeman franco-guinéen : En corps étranger avec Rayon de Soleil, tube de L'ete! Print E-mail
Written by African Hip Hop Task Force   
Thursday, 25 September 2008

Avec son titre Rayon de soleil, William Baldé s'affiche comme le gagnant inattendu du tube de l'été 2008. Ce Franco-Guinéen n'a pourtant rien du perdreau de l'année. Le chanteur gravite depuis plus de dix ans dans le monde de la musique et il vient de boucler une tournée de cinquante dates en première partie de Christophe Maé. Chronologie d'un succès.

La scène se passe il y a quelques années, dans un bar du Sud de la France. William Baldé y a été embauché avec un groupe de reprises pour assurer l'ambiance. Un jeune garçon vient leur demander s'il peut chanter avec eux.

Sans même lui faire passer d'essai, William lui propose une prestation en première partie. 'Si tu tiens à chanter c'est que tu sais faire', lui lâche William. Le jeune homme, un certain Christophe Maé, lui a depuis rendu la pareille au centuple : lors de sa dernière tournée, il a invité William Baldé à faire toutes ses premières parties, soit une quarantaine de Zénith et plus de 300 000 spectateurs. Une belle rampe de lancement pour ce chanteur né en Guinée, passé par Dakar et arrivé à Paris quand il avait quinze ans. Sur les conseils de sa mère, il se destine au métier d'avocat. Jusqu'à ce que des musiciens de rue croisent sa route. Débutent alors l'école buissonnière et les prestations dans le métro parisien ou sur les marches du Sacré Coeur avec son premier groupe, Jam 24.

Fan de musique guinéenne (le Bembeya Jazz national), d'Aznavour et du label américain Stax, William Baldé monte un deuxième groupe, Yuba, dans lequel il peut exprimer ses racines afro-soul. La formation publie son premier album en 1996 chez Emi. Malgré des premières parties prestigieuses (Meshell Ndegeocello, Jamiroquai ), le disque Everybody Nyani-Nyani, chanté en anglais et en wolof, peine à s'imposer sur les radios françaises. L'aventure tourne court.

William en profite alors pour peaufiner son album solo. Un de ses premiers soutiens, le guitariste batteur Gil Gimenez, le convainc de chanter en français. Armé d'un quatre titres autoproduit (sur lequel figure déjà la chanson Un rayon de soleil), il séduit la maison de disque Warner qui le signe à l'automne 2007. Mis à part son premier tube et Sweet Lady, titre vitaminé à la soul, En corps étranger offre une palanquée de ballades, taillées pour faire pleurer les filles.

William propose un reggae très 'chansonfrançaiseifié', comme s'il s'agissait de donner un air exotique sans trop effaroucher. Sur cette production très fédératrice, sa voix légèrement voilée s'ébat à merveille sur des tubes en puissance comme Exil ou En corps étranger. Grâce à cet album déjà Disque d'or, William Baldé peut enfin lâcher les premières parties pour jouer les premiers rôles.

 
Africa Rising in London: Seal and Cristina Aguilera headlining Print E-mail
Written by African Hip Hop Task Force   
Tuesday, 09 September 2008

Yemi Adebowale
Lagos

seal.jpgThe stage is set for the fourth and final leg of the 2008 THISDAY Music and Fashion Festival tagged African Rising concert with the confirmation of American pop/R&B singer, Christina Aguilera and Nigerian born British soul singer, Seal (Henry Olumide Samuel) for the show.

The concert will hold at London's Royal Albert Hall on October 14 at 7pm. This is the final stop on the four-city, three-nation year-long tour which kicked off in Abuja on July 11, .The second and third legs held in Lagos, July 13 and in Washington DC on August 1st.

Tickets for the London show are currently on sale at the Royal Albert Hall box office and can be purchased through a call to box office telephone number (020) 7589 8212.

Nigerian music stars, Dbanj, Asa and 2face Idibia have also been confirmed for the star-studded concert in London.

The event will also include runway shows from top international designers including Ozwald Boateng and Chris Aire. Expected supermodels include Naomi Campbell, Alek Wek, Tyson Beckford, Oluchi and Liya Kebede.

A 300-page (all-gloss) THISDAY International fashion and style magazine will also be launched during the London concert.

The London leg of the Africa Rising festival looks set to be just as good, and hopefully raise just as much awareness for such a worthy cause, as the drive to develop Africa.

Aguilera was born December 18, 1980. She came to prominence following her debut album titled Christina Aguilera (1999), which was a commercial success. A Latin pop album, Mi Reflejo, and several collaborations followed which garnered Aguilera worldwide success.

She is currently in the studio working on her forthcoming album. Aside from being known for her vocal ability and ever-changing image, musically, she includes themes of dealing with public scrutiny, her childhood, and female empowerment.

Aguilera's work has earned her numerous awards including five Grammy awards amongst eighteen nominations. She has become one of the most successful recording artists of the decade, raking up sales of more than 37 million albums worldwide.

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